On November 19, 2012, Fourth Age Limited, trustee for the
Tolkien Trust, J.R.R. Tolkien Estate Limited, Harper Collins Publishers and
others filed a complaint for: (1) Copyright Infringement; (2) Breach of
Contract (3) Declaratory Relief -- Gambling Games and Downloadable Games; and
(4) Declaratory Relief --Trademarks Service Marks and Services Licensing in
Federal court, in the Central District of California (Los Angeles is located in
the Central District), against Warner Brothers Digital Distribution, New Line
Productions, Saul Zaentz
Company d/b/a Middle-earth Enterprises, and others. (Zaentz recently filed a counterclaim, which
I’ll hopefully discuss soon).
The suit essentially revolves around the interpretation of a
clause concerning merchandising rights in a 1969 license covering the film
rights. The complaint states that:
Specifically, defendants' predecessors-in-interest obtained
the limited right to use the characters, places, objects and events referred to
in The Lord of the Rings and The Hobbit "solely and only upon and in
connection with the manufacture, sale and distribution of ... any and all
articles of tangible personal property, other than novels, paperbacks and other
printed published matter..." . . . The original contracting parties thus
contemplated a limited grant of the right to sell consumer products of the type
regularly merchandised at the time (such as figurines, tableware, stationery
items, clothing, and the like). They did not include any grant of exploitations
such as electronic or digital rights, rights in media yet to be devised or
other intangibles such as rights in services. To emphasize the limited nature
of the grant, plaintiffs' predecessors-in-interest specifically reserved "the
right to utilize and/or dispose of all rights and/or interests not herein specifically
granted."
The Defendants apparently gave
permission to a company that produces gaming equipment and more specifically
slot machines to produce slot machines and an online game. And, according to the complaint, many fans
are not happy about this development—very unhappy. Many also know that the LOTR and the Hobbit
are viewed as incorporating Christian and Catholic meaning, but what does that
mean (particularly with respect to IP claims)? As a fan, I must say that I am not
outraged, but which fans matter? Other works
of art have been apparently licensed to produce gambling devices such as the
Wizard of Oz’s The Great and Powerful Oz slot machine. (or is that fundamentally different because someone would create a Wizard of Oz slot machine?) I can understand, of course, how the
Plaintiffs want to protect the image associated with its brand and how other
fans are upset; however, I am not sure that an argument that is essentially “we
never would have agreed to allow this type of merchandising because it would
upset our fans and is inconsistent generally with the merchandising of great
works of art” is always true? Although
once the court sorts out the trademark rights in the license in favor of the Plaintiffs, then Defendants and their licensees will cease selling slot machines and other gambling devices under the trademarks. The fourth claim for declaratory relief
states:
a. For a declaration that defendants do not have the right to
license or exploit any services in any categories, nor the ability to register, use or exploit service marks in any categories in connection with The Lord of the Rings and/or The Hobbit; and
b. for a declaration of the parties' respective rights and obligations under the Merchandising License as they relate to the registration and/or use of Lord of the Rings and/or Hobbit-related trademarks and/or service marks and/or the ability to license or exploit services.
b. for a declaration of the parties' respective rights and obligations under the Merchandising License as they relate to the registration and/or use of Lord of the Rings and/or Hobbit-related trademarks and/or service marks and/or the ability to license or exploit services.
Is the value of the brand hurt by
licensing the production of gambling devices? I suppose it depends on the nature of the
work, but from who’s perspective? The
LOTR is relatively violent. What do you
think?
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